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X-WR-CALDESC:Events for Lumas Winds
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DTSTART:20210101T000000
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DTSTART;TZID=UTC:20221104T131500
DTEND;TZID=UTC:20221104T131500
DTSTAMP:20260506T042315
CREATED:20220809T181320Z
LAST-MODIFIED:20221017T151237Z
UID:847-1667567700-1667567700@lumaswinds.com
SUMMARY:St Saviour's\, Pimlico
DESCRIPTION:Programme: \nSamuel Barber Summer Music \nPerotin Alleluya Nativitas (arr. Oliver Knussen) \nW.A Mozart Adagio\, K.617 and variations (arr. Sally Beamish) \nPaul Hindemith Kleine Kammermusik for Wind Quintet \n\nI. Lustig: Mässig schnelle Viertel\nII. Walzer: Durchweg sehr leise\nIII. Ruhig und einfach\nIV. Schnelle Viertel\nV. Sehr lebhaft\n\n\nWhy this programme…? \nWe continue to experiment with the form of our programmes – this time around\, two works not in the regular canon are sandwiched in between two of the absolute stock and classics of wind quintet repertoire. \nBoth arrangements of older music are conceived by two of Britain’s foremost 20th century composers. Oliver Knussen arranges Perotin whilst Sally Beamish arranges Mozart. We were really interested in the differences in the way each went about the process of ‘arranging’. And although their final products are contrasting\, there is similarity in the sense that each composer’s individual personalities and sounds are very much prevalent. It’s also worth noting that both composers decided to use cor Anglais in place of oboe.
URL:https://lumaswinds.com/concert/st-saviours-pimlico/
LOCATION:St Saviour’s\, St George's Square\, Pimlico\, London\, SW1V 3QW
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BEGIN:VEVENT
DTSTART;TZID=UTC:20221118T131500
DTEND;TZID=UTC:20221118T131500
DTSTAMP:20260506T042315
CREATED:20220809T181732Z
LAST-MODIFIED:20221107T121303Z
UID:850-1668777300-1668777300@lumaswinds.com
SUMMARY:St Bride's\, Fleet Street
DESCRIPTION:Programme: \nW.A Mozart ‘Overture’ from The Magic Flute\, K.620 \nW.A Mozart Divertimento in F major\, K.213 \nW.A Mozart Adagio\, K.617 and Variations (arr. Sally Beamish) \nW.A Mozart Fantasy in F minor\, K.608 \n\nWhy the programme…? \nWe’ve taken this opportunity to explore the power of arrangements! \nWe begin this all W.A Mozart programme with the overture of his late opera\, The Magic Flute (1791/K.620); finishing with the Organ Fantasy in F minor (K.608)\, written in the same year. \nIn between is a Lumas favourite\, the Divertimento No. 8 in F major (1775/K.213) – see Chris’ ‘Members’ Q&A section for why! \nAs well as K.617a\, the Adagio in C for Glass Harmonica (written… you guessed it\, in 1791). These later works are a sign of Mozart at the top of his game\, and by exploring the power of arrangements\, we hope to pair this music together like you’ve never heard before. \n\nThe arrangement of the Glass Harmonica comes with a twist however – Sally Beamish’s very own variations. Written in 2008\, offering some light relief from the Mozart!
URL:https://lumaswinds.com/concert/st-brides-fleet-street/
LOCATION:St Bride’s\, Fleet Street\, London\, EC4Y 8AU
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BEGIN:VEVENT
DTSTART;TZID=UTC:20221128T130000
DTEND;TZID=UTC:20221128T130000
DTSTAMP:20260506T042315
CREATED:20220809T182436Z
LAST-MODIFIED:20221104T183605Z
UID:856-1669640400-1669640400@lumaswinds.com
SUMMARY:Notting Hill Concerts
DESCRIPTION:Programme: \nJacques Ibert Trois Pièces Brèves \n\nI. Allegro\nII. Andante\nIII. Assez lent – Allegro scherzando\n\nPoldowski Suite miniature de canons à dancer for Wind Quintet \n\nI. Passemaise\nII. Musette\nIII. Minuetto\nIV. Rigaudon\nV. Gigue\n\nFranz Danzi Wind Quintet in Bb Major\, Op.56\, No. 1 \n\nI. Allegretto\nII. Andante con moto\nIII. Menuetto. Allegretto\nIV. Allegretto\n\nEugène Bozza Scherzo \n\nWhy this programme…? \nDespite the individual successes of all of the above composers\, they are perhaps most well known for their wind music. Indeed\, their contributions make them prolific. \nMost interestingly and likely most unheard of is Poldowski. The name\, one of many professional pseudonyms for Belgium born Régine Wieniawski. Her life’s biography is full of sceptical contradictions. For example she may have studied at the Brussel’s conservatory but there’s no record of her having been there. She also may have been requested to play for Queen Elizabeth of Belgium in 1912. The piece we’re playing today could have been published around 1934. We do know however that in 1923 she gave a series of midday recitals just around the corner from St Peter’s at the Hyde Park Hotel. \nPublished around the same time then were Ibert’s three pieces in 1930. The style of the era clear to see in both pieces. \nDanzi’s life is also one of interest despite the fact that he is now most renowned as a mentor of Carl Maria von Weber. He wrote nine wind quintets however\, three sets of three\, which does not go unnoticed! Today we play the first from the very first set. Interestingly enough (if you watched Lumas perform at St Dustan in the West or at City Music Society) this set is dedicated to Antoine Reicha. \nBozza provides the earliest work of the programme (1945)\, giving the name scherzo real meaning\, and bringing the conclusion of the concert as well as Lumas’ Autumn to a rousing finish!
URL:https://lumaswinds.com/concert/notting-hill-concerts/
LOCATION:St Peter’s Church\, Notting Hill\, St Peter's\, Kensington Park Road\, London\, W11 2PN
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